Saturday, July 7
There are lots of museums in Dresden and we wanted to see them all. Of course that’s not really practical considering the length of our stay and the size of our budget but we decided to make a go of it. For €27 per person you can buy a combination ticket to 17 different museums. The catch: you only have two consecutive days in which to use the tickets. Sounds like a challenge doesn’t it? We made three lists: those we really wanted to see, those that we could go either way on and those we really didn’t care at all about – and you thought we just went to churches. Ready, set, go!
The museums are open from 10:00 am until 6:00 pm everyday except Monday when they are closed. We arrived at the ticket office at 9:45 am to buy our tickets but found it didn’t open until 10:00 am. Oh no! Waiting to buy tickets was going to cut into our museum time. We could feel our blood pressure rising.
The first museum we entered was the Old Masters Picture Gallery at the Zwinger Palace. It’s a huge exhibit consisting primarily of paintings dating from the 16th – 18th centuries spread over two full floors. Many of the works were from German artists we’d never heard of and many were quite good. There was also the usual selection of Italian and Dutch paintings including several Rembrandts and quite a few by Rubens. We read that the two Correggios were the highlight of the gallery until they had acquired a Raphael. In our opinion the Correggios were very nice (although hard to see because of bad lighting conditions) but the Raphel was nothing special. We’d seen much better examples of his work when we were in Rome. Some of our favorites: a Portrait of Charles de Solier by Hans Holbein the Younger from 1534, Double Portrait by Domenico Tintoretto from around 1600 and a Portrait of Alessandro Contarini by Paolo Veronese in 1565 to name a few. We took enough time to see and read everything but somehow managed to be done around noon.
(Charles de Solier by Hans Holbein the Younger from 1534)
To save time we opted for lunch at a cafe on the palace terrace overlooking the gardens. They had a small selection of sandwiches which turned out to be better than we expected. Then we were off to see the porcelain collection, which was also at the Zwinger Palace.
Like the paintings most of the porcelain was collected by The Elector August the Strong. In fact, most of the works in the museums can be traced back to him. Later generations of the family did commission, acquire and collect but none with the same enthusiasm. From here on in we’ll stop repeating that the collections were large, interesting and diverse. Just consider it a given.
For a very long time the only people with the knowledge to make porcelain were the Chinese and their methods were a well kept secret. Europeans tried for centuries to develop the technology but in the 15th century all porcelain in Europe was sourced from either China or Japan. This made it very rare and so expensive that only the wealthiest could afford to collect it. It wasn’t until the early 1700s that Europeans finally began producing high quality wares in the city of Meissen, which is less than 20 miles from Dresden.
The porcelain collection starts with Chinese objects made before the year 1,000 AD. The objects were manufactured in sets with different themes or colors. The condition of the pieces was only surpassed by their beauty. Eventually the collection approached the 1700s and we saw displays of Meissen porcelain. We’ve long been admirers of Meissen but had never seen a collection of this magnitude. One whole room contained life-sized sculptures of exotic animals. Another was full of huge pieces depicting religious and historical events. Another room was filled with centerpieces and table settings that were commissioned by August the Strong for special occasions. We never knew that Meissen had ever made pieces of this size or quality. It was an overwhelming sight. This museum is a must see for anyone with even a passing interest in porcelain.
(Meissen Centerpiece from 1750)
Next we visited another museum at the Zwinger Palace called the Math and Physics Salon. The first floor had a large collection of scientific instruments, clocks, drafting instruments, sun dials and artillery aiming devices. Most were made for the Elector’s collection, were beautifully detailed and manufactured out of precious metals laden with precious stones. It’s likely none had ever been used for practical purposes. Upstairs there was a display of burning mirrors and lenses as well as some of the earliest optics and telescopes.
We had now seen all of the museums at the Zwinger Palace so we headed over to the Residenzschloss to see the Coin Cabinet where there were over 300,000 coins and medals on display spanning from before ancient Greece until the present day. The Coin Cabinet is only accessible through another museum called Giants’ Hall so we took the opportunity to explore that first.
Giants’ Hall has displays of armor and weapons from the Medieval to early Renaissance periods. These were not your run of the mill suits of armor – these were showpieces created by wealthy aristocrats for ceremonial purposes. Many were intricately detailed with etchings and highlighted with precious metals. One room had a display of several suits of armor with a full regalia of weapons made entirely out of silver.
(Knight Fight)
Also on display were several of the magnificent swords presented to members of the House of Wettin on their elevation to the title of Elector. The first one, given in 1423, was prominently displayed. The tradition goes back to Emperor Charles IV from the early 1300s.
At last we arrived at the Coin Cabinet. One room had a display of coins minted by the rulers of Saxony starting in the early middle ages. Another was devoted to medals and medallions throughout the ages. Yet another room showcased coins of the world and went back even further than the ancient Greeks. If more of the information had been in English we would have enjoyed this museum a bit more.
The Turkish Chamber was in the next room so we just couldn’t resist stopping in for a peek. This museum is said to have the largest display of Ottoman artifacts outside of Turkey. There were huge numbers of weapons, armor and even an enormous Ottoman State Tent on display that had been ordered from Sultan Suleiman the Magnificent by August the Strong during one of their personal meetings. Most impressive were the large numbers of daggers with carved ivory handles encrusted with precious jewels. They even had a complete set of gold laden ceremonial weapons that had been presented to a Hungarian officer from the 1750s.
In for a penny, in for a pound – next we visited the Renaissance Gallery featuring a special exhibit of costumes worn by various electors and their families over the years. It included tools, furniture, games and musical instruments from the 1600s.
Our last visit was to the Princes’ Gallery. Here we saw portraits and busts of Saxon Electors and Kings from the House of Wetton and the Albertine line. Their dates ranged from the early 1500s to 1918 when King Friedrich August III abdicated.
Eight museums in one day. Each of these exhibitions is called a museum, and they are rather large, but in reality each one is more like a giant wing of a single enormous museum. Still, that’s a pretty good effort for one day even if we do say so ourselves.
Distance walked: 7.9 miles
Sunday, July 8
As if yesterday’s activities weren’t enough today we visited even more museums. Remember, we had a two day ticket and we planned to make the most of it. Today we started at the Albertinum, another former palace that was converted into a museum. Our first museum: The New Masters.
New Masters sounds very modern but basically this museum starts where the Old Masters museum left off. The works start in the mid 1800s and go until the late 20th century. Our poor feet. These collections seem to go on forever. Again, it covered two full floors of the palace. We can walk all day but standing about and shuffling along at a slow pace is very tiring. Still, we were determined. Deborah’s knowledge of works from the 20th century far outshines my own as does her appreciation of these works. Still, even I found many of the works to my liking. Klimt, Monet, Rodin and Degas were well represented. Some of our favorites: Girl with Cigarette by Oskar Zwintscher from 1904, Grandmother and Granddaughter by Julius Schöltz from 1863 and a self portrait of Max Leibermann from 1929.
(Girl with Cigarette by Oskar Zwintscher from 1904)
The museum is also used to store a huge number of antiquities (mostly sculptures and pottery) that have been cataloged and restored but are not on display. The rooms where they are stored are not meant to be seen but they are open to the public. We saw them all. One room in particular had five enormous Assyrian carvings made of alabaster from around 800 BC that were particularly impressive. We have to give a shout out to a very clever and amusing work by an artist from Brussels named Nevig Aladag entitled, “Music Room”. The work, from 1972, is a room full of musical instruments in the shape of furniture. Instead of slats the back of the chairs were made of strings, the tables had skirts made of glockenspiel pipes and so forth. We liked it a lot.
Next it was on to the sculpture museum, which was also in the Albertinum. The works were from the same period as the paintings. Some were in a traditional style but quite a few were avant-garde. One piece was in the form of a large 3D square that made us think that the artist must have moved recently. It was composed of all sorts of packing materials and things you’d typically throw out when relocating. It was pretty amusing.
We had lunch at one of the cafes in the big square near the Frauenkirche. Deborah had spaetzel covered in cheese with port wine infused shallots covered in crumbled fried onions served in a cast iron skillet. It was basically a fancy version of mac and cheese. The shallots were amazingly good. I had a thin crust pizza made with fresh whole wheat dough topped with meats and cheeses served with a side salad.
(Mac and Cheese Dresden Style for Lunch)
Fully refreshed we walked over to the Residenzschloss (sometimes referred to as Dresden Castle) to see even more museums. First was the New Green Vault. We’d see the Historic Green Vault during one of our first days in Town at the same location. It was not included in our combination ticket. Like the Historic Green Vault this museum also contains works and collectables acquired mainly by August the Strong. Why two green vaults? One reason is the sheer number of pieces. Another, the collections in the Historic Green Vault were displayed by theme and were actually meant to be a museum. These works, some of which were at one time in the Historic Green Vault, are just some of the overflow.
Perhaps the most famous item in this museum is the 41 carat Dresden Green Diamond. The jewel likely came from India and is green in color because it had been exposed to natural radiation. It was acquired in 1742 from a Dutch merchant at the Leipzig fair by August III. Initially it was displayed with a simple setting but in 1768 it was made into a rather elaborate hat pin along with two large diamonds and 411 smaller ones. It’s rather gaudy; we would have preferred to see what it looked like in its first setting. The museum contains an uncountable number of beautiful, golden, intricate and precious objects ranging from jewelry, to medallions to furniture to collectables. It was just overwhelming. Our favorite work: an enormous ivory carving of a wooden ship being held up by Poseidon/Neptune from 1620. The planks are engraved with the names of all the rulers of Saxony. Even the sails are made from very thin pieces of ivory.
(Ivory Carving from 1620)
Our last museum of the day was the Cabinet of Prints, Drawings and Photographs, which is also at the Residenzschloss. The exhibits in this museum change periodically; they have no permanent exhibition. We saw a collection of Polish works starting from the latter half of the 20th century. Artists in Poland had a great deal more freedom of expression during the Communist occupation and many of the works were actually critical of that system of government. There were also a great many satirical comic strip style pieces. Some of the most interesting/amusing were the works dealing with the proliferation of computers and the Internet.
Well, we only did four museums today but we did a total of 12 in two days. Not bad for old people. We had seen all of our must dos, all of our might dos and even a few more. The other five really held no interest for us as they featured mostly folk art and ethnographic displays. Of course there are even more museums in Town and we may get to one or two of them as well.
It should be noted that all of the museums we saw were delightful. The number, scope and breadth of the exhibitions was remarkable. We would have expected these types of collections only in much larger major cities. All of the works were well documented in German and in English, the one exception being the Coin Cabinet which was almost exclusively in German. If you have the time, and don’t think you can do 12 museums in two days, you can buy a combination for €50 per person. That will give you an entire year to see everything.
Distance walked: 6.1 miles